Often a shape looks great on screen using max, but if you want to actually make it in 3d then it’s a bit tricky seeing as we don’t have access to a rapid prototyping machine or a CNC mill, but we do have a laser cutter. So this explains how to turn a 3d studio model into a real thing made up of laminates of card, paper, ply, Perspex whatever you want. This tutorial assumes a basic knowledge of 3DS Max an AutoCAD.
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This workshop is designed to expand on the concepts introduced in the Photoshop Introduction workshop by exploring more complex techniques along with some useful tips, tricks and features.

Color Correction
Photoshop allows you to easily correct problems in color quality and tonal range created during the original photography or during the image’s scan. You can also correct problems in composition and sharpen the overall focus of the image. Retouching techniques vary greatly depending on how the image will be used. There is also much to be understood about image resolution. For more information about image resolution you should refer to the Photoshop manual or attend the Academic Computing Services workshop Graphics Formats and Scanning.
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In this tutorial, we’ll explore different methods for modeling, rigging, and animating DNA. There are many ways to approach this macromolecule in Maya and each has its merits depending on what the model will be used for in your scene. We’ll start with a simple ‘plank’ DNA model that is roughly based on what is known about the molecule’s proportions, and then look at different ways to deform it. Next we’ll import a PDB coordinate set for B-DNA and experiment with different representations using particles. These first two methods assume that the helix does not need to unwind and melt. Finally, we’ll go over a programmatic approach to building DNA using PDB data for a single base pair – this method will allow us to twist and unzip the double helix.
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